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RELEASED BY
Chocodog Records 10/03/2006 CATALOG # CDR1007 RECORDED AT Fabulous Fountainhead, New Hope, PA, August 2005 ARRANGED, ENGINEERED & PRODUCED BY Michael Melchiondo MIXED BY Andrew Weiss MASTERED BY Emily Lazar, The Lodge, NYC WRITTEN & PUBLISHED All songs written by Chris Harford, BMI & pubished by Little Juice Um Music, BMI except tracks 1 & 6 as noted below. ART Design: Aaron Tanner Illustration: Robert H. Hardgrave Photography (tray card): Aaron Freeman Photography (inside jacket): Chris Poppe PERFORMED BY Chris Harford: Bass, Keyboards, Vocals, Guitar Dean Ween: Bass, Drums, Vocals, Guitar Gene Ween: Backing vocals on "Teach Me" Marc Muller: Pedal Steel on "To Understand You" George Flayer: Violin on "The Glider to the Queen" |
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_"All 25 minutes and 17 seconds of this short but absorbing
album should come with an addictive substance warning.
I’ve been listening to it non-stop for a good 6 hours now.
Being pinned to my laptop (and its speakers) has given
me time to look up this Chris Harford chappie.
He’s a Yank, has apparently been around for a good
15 years, and has 7 other releases to his name.
‘Looking Out For Number 6’ has impressed me so much
that I’ll probably be shelling out for at least one of them.
There are so many high points on the album that I’m not sure where to begin.
The opener, ‘What We Do Not Know’, is at times reminiscent
of Led Zeppelin – which is compliment enough.
Hypnotic drums and crunching guitars are topped off with Harford’s
attempt at an Ozzy Osbourne impression (he even pulls it off…sort of.)
My personal favourite, ‘I Don’t Need You Anymore’, follows a
darker and folksier route, which persists for most of the album.
‘Pain Is Good’ brings in some soulful guitar work and
showcases Harford’s penchant for weirding up his vocals.
The good news is that however ethereal he
tries to make this album, it always stays accessible.
Y’know, I’ve just realised that I’m not even bored yet.
I must be on my tenth time through.
That’s pretty bloody impressive for such a short CD.
Keep your eyes open cause this is well worth a listen.
Raw harmonies and a fusion of dark folk with
a myriad of crunch guitars, soulful riffs and even
a string contribution make this album a
chilled, eclectic pleasure throughout.
He’s a little odd, but in the best way.
-Richard Jordan November 2006
album should come with an addictive substance warning.
I’ve been listening to it non-stop for a good 6 hours now.
Being pinned to my laptop (and its speakers) has given
me time to look up this Chris Harford chappie.
He’s a Yank, has apparently been around for a good
15 years, and has 7 other releases to his name.
‘Looking Out For Number 6’ has impressed me so much
that I’ll probably be shelling out for at least one of them.
There are so many high points on the album that I’m not sure where to begin.
The opener, ‘What We Do Not Know’, is at times reminiscent
of Led Zeppelin – which is compliment enough.
Hypnotic drums and crunching guitars are topped off with Harford’s
attempt at an Ozzy Osbourne impression (he even pulls it off…sort of.)
My personal favourite, ‘I Don’t Need You Anymore’, follows a
darker and folksier route, which persists for most of the album.
‘Pain Is Good’ brings in some soulful guitar work and
showcases Harford’s penchant for weirding up his vocals.
The good news is that however ethereal he
tries to make this album, it always stays accessible.
Y’know, I’ve just realised that I’m not even bored yet.
I must be on my tenth time through.
That’s pretty bloody impressive for such a short CD.
Keep your eyes open cause this is well worth a listen.
Raw harmonies and a fusion of dark folk with
a myriad of crunch guitars, soulful riffs and even
a string contribution make this album a
chilled, eclectic pleasure throughout.
He’s a little odd, but in the best way.
-Richard Jordan November 2006
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1990-2012 Chris Harford. All Rights Reserved.




